a fantasy of ancients

beuys-joseph-witches-spitting-fire

 

three minor keys of dusty bones
appear from gray blue smoke;
they windmill arms akimbo
around a mound of castoff rags;
they growl shriek howl,
sideways sashay with cramp-ed slides

they antic dance and mimic bow;
they sack the piled rejection
of worn sole shoes and mismatched socks,
of grime stained  pants and ragged shirts,
a wooden leg, a glass cracked eye,
red wig…stained bandage stash

into full fathom coats and rubber boots
they stuff their loot as if it were all treasure
to disappear as limitless and formless as its start
as warmth appearance healing comfort; then
they disappear into a wisp-ed trailing fog,
into a fantasy of ancients…into a laughter

Bonnie Marshall

Artist: Joseph Beuys
“Witches Spitting Fire” 1959

dream docked Portland man

james-mcneill-whistler

I know a Portland man…
his salt pepper beard taps and shakes
upon his breast bone; dun trousers sag
enfold his shanks…are ragged hemmed;
with dimmed eyes he squints to calibrate
chill coastal skies

some time long past he plunder jousted trees
hewed pines and  hemlock  for a living;
on instinct now with street grimed hands
he strokes wood fences benches…searches for
the grain, caresses for the plane, encounters splinters

once virile muscles dwindle atrophy
diminish neck chest arm thigh shoulder;
once limber feet no longer spring his stride
on timber loam sod bedded deep within
a forest edged with sea storm drench
that steamed his manhood

today he vagrants oil tarred wharves
where freighter…ship…and liners rock;
he…soiled…fastened as he is with old
breathes in a rank dank ocean where
he will…dream docked…age locked
intrigue my memory

 

Bonnie Marshall

Artwork by James McNeill Whistler

wilderness in women

balthasar-denner-woman

 

I’m old…
I can tell you this

women need wilderness
…especially when they’re young

for in wilderness they learn
not to trust old maps;
and they swim in icy streams
if bridges are washed down

in wilderness…
they hear honest sounds,
and know when nestlings
rasp for raw sustaining flesh
they hear healthiness…
not the noise of whining

and on the day they die
women raised in wilderness
sing to themselves…remembered
songs to float with them from
this world to the next

 

Bonnie Marshall

Artwork Balthazar Denner

 

nine and twenty abalone

 

rogue wave

the Pacific is angry after storms,

spits its vehemence upon a beach

I scry for transcendental relevance

 

fool am I to want the reassurance

of a chambered Nautilus…oh, my soul

to find meaning in the glow of sea glass

 

I watch children scavenge tidals for detritus,

pocket sandy bi-valve clams…all life dissolved;

think their skeletons are treasure…none

 

why then…do I nail upon a yard fence

nine and twenty abalone…grayed…barnacled

rainbow radiance diminished…there

 

Bonnie Marshall

Artwork by Ray Ortner

death watch

The abandoned Palace Theater in Gary, Indiana closed in the 1970s and has stood vacant ever since.

Bijou…in afternoon is amniotic hatchery
dried parsley and old women’s shoes…
then evening steeps it to bean soup
sour laundry soap and moldy windowsills

Bijou…where rats…twitch…scurry birth
each way over under through…attentive
to faint hiss of cockroach mouthing glue
beneath pale skin wallpaper peel

Bijou…where brown bats sweep through
broken panes…strike insect flick…and smoke
white doves coo guttural on ledges…and night
shrinks wood to incremental creak

Bijou…copper stripped…stage rain warped,
house curtain velvet torn…all potent with decay
though I shall not gravely mourn for knowing
how previous gives way to new

and…I shall not be present for the wrecking
smash and crash, nor shall I recall its marquee
silhouette against an empty sky without seeing
as in dusty mirrors…my own exiting

 

Bonnie Marshall

Photography by Joey B. Lax-Salinas