Into a Flight of Arcane Meaningless

 

should it be arcane to think Fibonacci numbers
push to inevitable distance … inexorable with
a gravid thought … then I shall gladly play
that hand … though no mathematician I
to cover walls with numbers spiraled for design

content am I to squander solitaire progression
of numbered cards upon a plane for nothing
is at stake … neither wealth nor fame nor love
for it is abstraction distraction’s swirling center
emptiness of real

content am I to count knives forks spoons
into a sectioned drawer … not toss them
disarrayed onto my kitchen table in a heap
of tangled angles of imprecision art

 

Bonnie Marshall

Artwork: Henri Matisse
“Golden Rectangle”  Antonio Gutierrez

 

Note to always valued readers … A second volume to follow The Taste of Bees in Honey will be available at Amazon next month in August.  This revised poem will be included there.  Smiles …

 

 

soul I tear

dali-cadaques

 

these days my brain
is incessant solitaire…
it flips present moment
into bits and pieces
through a shuffled time

no matter…luck of the draw…
my flimsy card slip apprehension
plays sequential consequence of now
with all time wasted…scattered to a table
where a three dimensioned plane
is littered with distraction

oh…there is no damnation…none

somewhere beyond this sphere
that pulls upon me…holds me down
spreads immensity of space
where stars collapse and recombine
in chaos of a deep design
I cannot think to think

 

Bonnie Marshall

Artwork by Salvador Dali

dreaming flamingos

audubon flamingo

I’m New England woman in my mind,
a transcendental eyeball on a hill…
I’m hiking boots pacer in gray wool
sweater under layered against itch

I’m gazer at dewed spider webs,
I’m sheltered…early in a box house
of sunsilvered windblown pine

and…I dream about flamingos
pin Geographic glossies inside
my kitchen cupboard door…where
I store white cups and plates and bowls

and… I think about the hearing of
their raucous squawking in flame pink
beauty pools…and I smile to think
they synchronize direction in a gawky
urgent mating dance…there in Africa,
Peru…Belize…Galapagos…and…and
the Caribbean…in narrow arrow flight,
flower washed rose carnation amaranth

now…I gaze at tropic embers in my hearth
glimmering…resin sputters in gray ash
and I boil live lobsters in a cooking pot
and listen for their tiny scream

 

Bonnie Marshall

Art by John Audubon
“Flamingo and Roseate Spoonbill”

green grazing pastures

Diebenkorn 1

keep silent…silent…and listen
listen…to these words…sieve
for wisdom like your need for breathing air,
then, when you speak…sing arias of words
with silver clarity like the ringing of a coin

dance meaning with your hands arms shoulders
for they’re the angels of your mind…they’re the
touching and the pinching and the caressing reach
for a human amplitude

pace the walking of your days for new risk
to follow comfort paths to exploration
where stepping is tentative to bold with
the going and the coming of a rich intent

bless the beating of your heart…touch
its stroking in your pulse…note its rippling
under the dear marvel of your skin

engage more life aware…splash cool water
on your face…your arms…your neck…
from the kitchen faucet, from the garden hose,
from the river, from the lake, from the sea…
to feel brisk…awake

Bonnie Marshall

Poem Reading: Permission of Kenneth Brauchler

Artwork by Richard Diebenkorn

Prompting of the Now

dali head-bombarded-with-grains-of-wheat-village-of-cadaques

 

I think in portioned harvest
gleaned from sustaining waves
of teemed fish-ed sea and stiff
stem seed-ed fields of now’s
swift  impression…all…all image
destined straightaway for decline
in my tissued memory.

I touch instants with my fingers,
hold the seconds of encounter
with dimensional perception
of rough smooth…warm chill,
and I calibrate distinction without
looking for some vast dimension…
for I seek a sensate knowing now
acquaintance with my world.

I command the moment…adjust
choirs of sound…salt sweet sour the
taste within my mouth…and withdraw
to dream sleep quietus until morning’s
promptings of the now.

 

Bonnie Marshall

Artwork by Salvador Dali